Cuadernos del Centro de Estudios de Diseño y Comunicación

Prólogo

2025-07-03T17:13:35+00:00

This publication is the eighth project in the Cinema and Society Research line, coordinated this time, between the University of Palermo and the University of Buenos Aires by Zulema Marzorati and Monica V. F. Gruber.

El mundo femenino bajo la lente del film Zona de interés de Jonathan Glazer

2025-07-03T17:13:35+00:00

This paper analyzes Jonathan Glazer's film Zone of Interest (2023) from an aesthetic-political perspective. It examines the Nazi worldview, the role of women in the National Socialist ideology, and its current resonances.

La mujer como botín de guerra. Una reflexión acerca de las masivas violaciones perpetradas a mujeres alemanas por el ejército rojo

2025-07-03T17:13:35+00:00

Anonymous, A Woman in Berlin: Diary Journal from April 20 to June 22, 1945, is the autobiographical account of a young German journalist who recorded her experiences and those of many of her compatriots in two school notebooks during the final days of the war and the first moments of the Allied occupation of Berlin.

Arte y política bajo el signo del totalitarismo: No dejes de mirarme

2025-07-03T17:13:35+00:00

The relationship between art and politics has always been complex and problematic. However, it is in contexts of intense political confrontation that it becomes conflictive, reaching its climax in totalitarian regimes, whose essence is to penetrate all spheres of social and cultural life.

Trelew o la retrospectiva de un conflicto. Las pantallas argentinas entre la Historia y la Memoria

2025-07-03T17:13:35+00:00

In the late 1960s, Argentina was the scene of growing socio-political unrest that led to the radicalization of a significant portion of the population.

Conflictos y memoria en Madres paralelas (2021), de Pedro Almodóvar

2025-07-03T17:13:35+00:00

Defined as the director of women's cinema, Pedro Almodóvar has become the most important benchmark in the film industry outside of Spain.

¿Todo pasado fue mejor? El cine de mafia en la Argentina en la encrucijada. Análisis del caso de Los años infames/Proceso a la infamia

2025-07-06T20:50:28+00:00

Los años infames (Alejandro Doria, 1975) is one of the films that addressed the local mafia phenomenon in the 1930s during the brief period of thematic openness that Argentine cinema experienced in the first half of the seventies.

La Trilogía Femenina de Todd Haynes

2025-07-06T20:50:17+00:00

This paper will deal with gender conflicts, family and social structures in three of the films of the American filmmaker Todd Haynes, whose filmography explores and reflects the different conflicts in interpersonal relationships and their repercussions in certain social spheres: Far From Paradise (2002), Carol (2015) and Secrets of a Scandal (2023).

Memoria fílmica, inconsciente óptico y feminismos. Revisitando La amiga (1988) de Jeanine Meerapfel

2025-07-06T20:50:06+00:00

In this paper, I explore how the film La Amiga by Jeanine Meerapfel (1988), deals with the memory of Argentina's recent past.

Emancipación femenina en un relato generacional Siempre habrá un mañana (2023), de Cortellesi

2025-07-06T20:49:55+00:00

Italian neorrealism is a cinematrographical narrative still valid that it actually goes on inspiring directors.

“Más poeta que monja”. Yo la peor de todas de María Luisa Bemberg

2025-07-06T20:49:44+00:00

How were the factors of power interwoven in relation to women's access to knowledge in a Spanish colony in America at the end of the 17th century?

El hombre que vendió su piel. La violencia en el arte y su correlato audiovisual

2025-07-06T20:49:31+00:00

The body is the material element that constitutes us and allows us to connect with our environment.

Pasado, presente y futuro: Conflicto social y nuevas sociedades en T he Intruder, It Conquered the World y Day the World Ended

2025-07-06T20:49:20+00:00

In The Intruder (1962), Roger Corman presents a series of racial conflicts in which prejudice and integration laws collide to stage a new society that is being born at the time the story is filmed.