https://dspace.palermo.edu/ojs/index.php/cdc/issue/feedCuadernos del Centro de Estudios de Diseño y Comunicación2025-07-06T20:50:28+00:00Oscar Echevarríapublicacionesdc@palermo.eduOpen Journal Systems<div class="jhH5U"> <div id="tw-ob" class="tw-src-ltr"> <div class="oSioSc"> <div id="tw-target"> <div id="kAz1tf" class="g9WsWb"> <div id="tw-target-text-container" class="tw-ta-container hide-focus-ring tw-nfl" tabindex="0"> <pre class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción"><span lang="en"><strong>Cuadernos del Centro de Estudios en Diseño y Comunicación </strong>is an academic journal of international scope with arbitration <br>and edited by the Faculty of Design and Communication of the University of Palermo uninterruptedly since 2000.<br><br>It publishes original and unpublished works referring to the contemporary agenda of design, communications and creativity <br>from an interdisciplinary perspective.<br></span></pre> <pre class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción"><span lang="en">Each edition is thematic and gathers contributions from authors from different perspectives, institutions and countries. <br>Each number is organized by an academic coordinator of the Faculty of Design and Communication of the University of Palermo.<br></span></pre> <pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción"><span lang="en">Numerous editions are produced in conjunction with leading international universities and academic institutions and present<br>results, reflections and contributions of the research projects carried out between these institutions and the Faculty of <br>Design and Communication of the University of Palermo.</span></pre> <pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción"><span lang="en"><br><br><br></span></pre> <pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción"><span lang="en"> </span></pre> </div> <div id="tw-target-rmn-container" class="tw-ta-container hide-focus-ring tw-nfl"> <pre id="tw-target-rmn" class="tw-data-placeholder tw-text-small tw-ta" dir="ltr" data-placeholder=""> </pre> </div> <div class="iYB33c"> <div class="dlJLJe"> <div data-cviv="false" data-ved="2ahUKEwi91_PBq7joAhX0CrkGHbWbAW8Qz_AEMAB6BAgLEA4"> <div class="U9URNb"><img id="dimg_79" class="rISBZc M4dUYb" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABQAAAAUCAQAAAAngNWGAAAA/0lEQVR4AYXNMSiEcRyA4cfmGHQbCZIipkuxnJgMStlMNmeyD2dwmc8+sZgxYJd9ErIZFHUyYYD7fkr6l4/rnvmtl7+KitrqV/fq2Y5eLY3Z9S48eRLe7BmVZ9qhTLhQ0algzZWQOVKSsCF8OjAnwbxDTWFDUhPK/jMr1H6HE/IqRky2DyvCefuwItwZzodVoYRiLqMkVCXrwpJ9twZ+sgfDYEFYl8wIWxZ9uFf7zkallxlJh4YrLGsKjZRx7VGHhLqwgFUN45DGdb8MeXGpgB4ABZdeDcpZEY51A+hyLKz4S1W4MQWm3AibWtgWmk6dyISa1pSdyWTOlLXVp0+eL9D/ZPfBTNanAAAAAElFTkSuQmCC" alt="" width="16" height="16" data-atf="0"></div> </div> </div> <div id="tw-tmenu" class="tw-menu"> </div> </div> </div> </div> </div> </div> <div id="tw-images"> </div> <div class="dURPtb"> </div> <div> <div> </div> </div> </div>https://dspace.palermo.edu/ojs/index.php/cdc/article/view/12464Prólogo2025-07-03T17:13:35+00:00Zulema Marzorati1@1.comMónica Viviana Fanny Gruber1@1.com<p>This publication is the eighth project in the Cinema and Society Research line, coordinated this time, between the University of Palermo and the University of Buenos Aires by Zulema Marzorati and Monica V. F. Gruber. </p>2025-06-30T15:01:03+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12465El mundo femenino bajo la lente del film Zona de interés de Jonathan Glazer2025-07-03T17:13:35+00:00 Mónica Bardi1@1.com<p> This paper analyzes Jonathan Glazer's film Zone of Interest (2023) from an aesthetic-political perspective. It examines the Nazi worldview, the role of women in the National Socialist ideology, and its current resonances. </p>2025-06-30T15:06:15+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12466La mujer como botín de guerra. Una reflexión acerca de las masivas violaciones perpetradas a mujeres alemanas por el ejército rojo2025-07-03T17:13:35+00:00Debra Ferrari1@1.com<p>Anonymous, A Woman in Berlin: Diary Journal from April 20 to June 22, 1945, is the autobiographical account of a young German journalist who recorded her experiences and those of many of her compatriots in two school notebooks during the final days of the war and the first moments of the Allied occupation of Berlin. </p>2025-06-30T15:07:36+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12467Arte y política bajo el signo del totalitarismo: No dejes de mirarme2025-07-03T17:13:35+00:00María Elena Stella1@1.com<p>The relationship between art and politics has always been complex and problematic. However, it is in contexts of intense political confrontation that it becomes conflictive, reaching its climax in totalitarian regimes, whose essence is to penetrate all spheres of social and cultural life. </p>2025-06-30T15:08:39+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12468Trelew o la retrospectiva de un conflicto. Las pantallas argentinas entre la Historia y la Memoria2025-07-03T17:13:35+00:00Charo López Marsano1@1.com<p> In the late 1960s, Argentina was the scene of growing socio-political unrest that led to the radicalization of a significant portion of the population. </p>2025-06-30T15:09:36+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12469Conflictos y memoria en Madres paralelas (2021), de Pedro Almodóvar2025-07-03T17:13:35+00:00Mónica Viviana Fanny Gruber1@1.com<p>Defined as the director of women's cinema, Pedro Almodóvar has become the most important benchmark in the film industry outside of Spain. </p>2025-06-30T15:11:50+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12470¿Todo pasado fue mejor? El cine de mafia en la Argentina en la encrucijada. Análisis del caso de Los años infames/Proceso a la infamia2025-07-06T20:50:28+00:00María Soledad Balsas1@1.com<p>Los años infames (Alejandro Doria, 1975) is one of the films that addressed the local mafia phenomenon in the 1930s during the brief period of thematic openness that Argentine cinema experienced in the first half of the seventies. </p>2025-06-30T15:18:24+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12471La Trilogía Femenina de Todd Haynes2025-07-06T20:50:17+00:00Mónica García1@1.comMaría Infante1@1.comAdriana Libonati1@1.comDiana Murad1@1.com<p>This paper will deal with gender conflicts, family and social structures in three of the films of the American filmmaker Todd Haynes, whose filmography explores and reflects the different conflicts in interpersonal relationships and their repercussions in certain social spheres: Far From Paradise (2002), Carol (2015) and Secrets of a Scandal (2023).</p>2025-06-30T15:19:31+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12472Memoria fílmica, inconsciente óptico y feminismos. Revisitando La amiga (1988) de Jeanine Meerapfel2025-07-06T20:50:06+00:00Ilenia Arocha1@1.com<p> In this paper, I explore how the film La Amiga by Jeanine Meerapfel (1988), deals with the memory of Argentina's recent past. </p>2025-06-30T15:21:24+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12473Emancipación femenina en un relato generacional Siempre habrá un mañana (2023), de Cortellesi2025-07-06T20:49:55+00:00Zulema Marzorati1@1.com<p>Italian neorrealism is a cinematrographical narrative still valid that it actually goes on inspiring directors. </p>2025-06-30T15:22:50+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12474“Más poeta que monja”. Yo la peor de todas de María Luisa Bemberg2025-07-06T20:49:44+00:00Lizel Tornay1@1.com<p>How were the factors of power interwoven in relation to women's access to knowledge in a Spanish colony in America at the end of the 17th century?</p>2025-06-30T15:24:06+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12475El hombre que vendió su piel. La violencia en el arte y su correlato audiovisual2025-07-06T20:49:31+00:00Patricia Russo1@1.com<p>The body is the material element that constitutes us and allows us to connect with our environment. </p>2025-06-30T15:25:22+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicaciónhttps://dspace.palermo.edu/ojs/index.php/cdc/article/view/12476Pasado, presente y futuro: Conflicto social y nuevas sociedades en T he Intruder, It Conquered the World y Day the World Ended2025-07-06T20:49:20+00:00Fernando Gabriel Pagnoni Berns1@1.com<p>In The Intruder (1962), Roger Corman presents a series of racial conflicts in which prejudice and integration laws collide to stage a new society that is being born at the time the story is filmed. </p>2025-06-30T15:26:25+00:00Copyright (c) 2025 Cuadernos del Centro de Estudios de Diseño y Comunicación