Narratives in Biodesign: between poiesis and praxis

  • Raul Pinto
  • Pedro Maia
Palabras clave: Diseño ; Naturaleza ; Biodiseño ; Narrativa ; Poiesis ; Praxis ; Narrativas asociadas a la naturaleza ; Conductas ; Emociones

Resumen

La naturaleza ha estado inevitablemente presente en la evolución humana, definiendo límites, capacidades e imaginación, o en otras palabras, determinando cómo y por qué diseñamos. En este artículo, intentamos ver la naturaleza en sí misma como una narrativa cultural preestablecida (o conjunto de narrativas) y reflexionar sobre cómo estas narrativas influyen en el diseño en dos aspectos muy distintos. La primera mirada es a las narrativas de la naturaleza relacionadas con la poiesis y su potencial para generar referencias emocionales. Mientras que el segundo, se centra en las narrativas de la naturaleza asociadas a su praxis, junto con su referencia procedimental para el diseño, como conclusión buscamos puntos comunes y divergentes entre estos enfoques también con la intención de contribuir a una mejor comprensión de cómo la idea de Naturaleza influye en el diseño.

Citas

Aicher, O. (1991). Analogous and Digital. Wilhelm ernst & sohn.

Alexander, C. (2004). The Nature of Order: An Essay on the Art of Building and the Nature of the Universe, Book 1 - The Phenomenon of Life. California, United States: Center for Environmental Structure.

Araújo, R. & Lima, P. (2002). Contribuições da etologia comparada para uma nova perceção da comunicação humana. Revista Margem, São Paulo, Nº 15, P. 223-236, JUN. 2002.

Ball, P. (2020, November 13). Life with purpose. Retrieved November 22, 2020, from Aeon: https://aeon.co/essays/the-biological-research-putting-purpose-back-into-life

Bandura, A.; Ross, D., & A. Ross, S. (1961). Transmission of aggression through imitation. Journal of Abnormal and Social Psychology, pp. 575-582.

Bateson, G. (1979). Mind and Nature - a Necessary Unity. New York : E. P. Dutton.

Bedau, M. A., & Cleland, C. (2010). The Nature of Life: Classical and Contemporary Perspectives from Philosophy and Science. Cambridge University Press: Cmbridge .

Benjamin, W. (1969). The Work of Art in the Age of Mechanical Reproduction. In Illuminations (pp. 217-251). New York: Schocken Books.

Botto, M. A. (2003). Sebenta Controlo de Sistemas Dinâmicos. Lisbon: Instituto Superior Técnico.

Burdeck, B. E. (1997). In Burdeck, B., E. (2006). História, Teoria e Prática do Design de Produtos, p. 231. São Paulo: Editora Edgard Blucher Ltda.

Coleman, W. (1971). Biology in the Nineteenth Century: Problems of Form, Function and Transformation. New York: Cambridge University Press . Cooper, J. A.; Laskey, R.; Staehelin, L., & Chow, C. (2019, Nov 18). Cell. (Encyclopædia Britannica, inc.) Retrieved Set 15, 2019, from Encyclopædia Britannica: https://www.britannica.com/science/cell-biology

Damasio, A. (2000). The Feeling of What Happens: Body and Emotion in the Making of Consciousness. Boston: Mariner Books.

Darwin, C. (2011). A origem das espécies. Lisboa: Verbo.

Del-Claro, K. (2004). Comportamento Animal - Uma introdução à ecologia comportamental. Livraria Conceito - Jundiaí - SP.

Ede, S. (2005). Art & Science . New York: MPG Books.

Erlhoff, M. & Marshall, T. (2008). Design Dictionnary: Perspetives on Design Terminology. Berlim: Birkhauser.Eysenck, M. W., & Keane, M. (1990). Cognitive Psychology: A Student’s Handbook. (7th, Ed.) New York: Taylor & Francis.

Fishwick, P. A. (2006). Aesthetic Computing. Cambridge, Massachusetts: The MIT Press.

Flusser, V. (2010). Uma filosofia do design: A forma das coisas. Lisboa: Relógio D´Água Editores.

Foucault, M. (1998). As palavras e as coisas. Edições 70.

Guenoun, C. (2006). Encontros com a sedução. Tese de mestrado apresentada à Universidade Vale do Rio Verde - UNINCOR, Brasil.

Kelly, K. (1995). Out of Control: The New Biology of Machines, Social Systems, & the Economic World. New York: Basic Books .

Kirk, G. (1957). The Presocratic Philosophers: A Critical History with a Selection of Text. Cambridge: Cambridge: University Press.

Kubler, G. (1962). The Shape of Time: remarks on the history of things. London : Yale University Press.

Langton, C. G. (2018). Artificial Life: Proceedings Of An Interdisciplinary Workshop On The Synthesis and Simulation of Living Sytems. New York: Routledge.

Loyau, A.; Gomez, D.; Moureau, B.; Théry, M.; Hart, N., S.; Jalme, M., S.; Bennett, A. T. D. & Sorci, G. (2007). Iridescent structurally based coloration of eyespots correlates with mating success in the peacock. Behavioral Ecology, Volume 18, Issue 6, 1 November 2007, Pages 1123-1131, https://doi.org/10.1093/beheco/arm088

Erickson, T. (1996). Design as storytelling. Interactions, vol. 3, nº4.

Matthew, C. (2017, Sep 18). 60 years ago, Francis Crick changed the logic of biology. PLOS: Biology, 15.

Mayr, E. (1961). Cause and Effect in Biology. Science , 134 (3489), 1501-1506.

McCormack, J.; Bown, O.; Dorin, A.; McCabe, J.; Monro, G., & Whitelaw, M. (2014). Ten Questions Concerning Generative Computer Art. Leonardo, pp. 135-141.

Nature Education. (2014). Cells Can Replicate Their DNA Precisely. Retrieved 08 19, 2020, from Scitable by nature education: https://www.nature.com/scitable/topicpage/cells-can-replicate-their-dna-precisely-6524830/

Merleau-Ponty, M. (1972). La Structure du comportement. Paris: Presses Universitaires de

France. In Falabretti, E., S. (2008). Merleau-Ponty: o sentido e o uso da noção de estrutura. Doispontos, Curitiba, São Carlos, vol. 5, n. 1, p.153-192.

Norman, D. (2004). Emotional Design: Why We Love (or Hate) Everyday Things, Basic Books.

Pletser, V. (2017). Fibonacci Numbers and the Golden Ratio in Biology, Physics, Astrophysics, Chemistry and Technology: A Non-Exhaustive Review. arXiv:1801.01369v1.

Providência, F. (2012). Poeta, ou aquele que faz: a poética como inovação em Design. Tese de Doutoramento: Universidade de Aveiro.

Reichle, I. (2009). Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art. Vienna: Springer.

Sartre, J. (1940). The Psychology of Imagination, L’imaginaire: Psychologie phenomenologique de l’imagination, Gallimard, translation published as The Psychology of Imagination, Philosophical Library, 1948. Accessed May 15, 2020 from: http://plato.stanford.edu/entries/sartre

Schyfter, P. (2014). Abstact and Representation. In A. D. Ginsberg, & et al., Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (pp. 231-264). Massachusetts: MIT Press.

Shedroff, N. (2001). Experience design. Indianapolis, Indiana, USA: New Riders, 2001.

Sikes, P. and Gale, K. (2006). Narrative Approaches to Education Research, Faculty of Education, University of Plymouth. In

Tully, R. (2012). “Narrative Imagination: a Design Imperative,” Irish Journal of Academic Practice: Vol. 1: Iss. 1, Article 8.

Stilwell, G. (2012). Quando os macacos se apaixonam. Lisboa: A Esfera dos Livros. Pág. 26

Stacey, N. (Director). (2015). The Secret Life of Chaos [Motion Picture].

Sterelny, K., & Griffiths, P. (1999). Sex and Death: An Introduction to Philosophy of Biology. Chicago: University of Chicago Press.

Sterelny, K., & Griffiths, P. (2010). What is life? In M. A. Bedau, & C. Cleland, The Nature of Life: Classical and Contemporary Perspectives from Philosophy and Science (pp. 355-359). Cambridge: Cambridge University Press.

Takyi, G. P. (2016). The 5 Human Senses Success. New York : Toplink Publishing.

The Editors of Encyclopaedia Britannica. (2017, Nov 17). Organelle. (Encyclopædia Britannica, inc.) Retrieved Set 12, 2019, from Encyclopædia Britannica: https://www.britannica.com/science/organelle

Thompson, T., & Zeiler, M. (2017). Analysis and Integration of Behavioral Units. New York: Routledge.

Trilling, L. (1971). Sincerity and Authenticity. Cambridge, Massachusetts: Harvard University Press .

Van Gorp, T. & Adams, E. (2012). Design for Emotion. USA: Elsevier Inc.

Virilio, P. (2000). A velocidade de libertação. Lisboa: Relógio D´Água Editores

Woolley-Barker, T. (2017). Teeming: How superorganisms work to build infinite wealth in a finite world (and your company to). Ashland, Oregon: White Cloud Press.

Zimmer, C. (2013, Oct 23). How Many Cells Are In Your Body? Retrieved Dez 14, 2018, from National Geographic: https://www.nationalgeographic.com/science/phenomena/2013/10/23/how-many-cells-are-in-your-body/

Zimmer, C. (2012, Jun 18). Tending the Body’s Microbial Garden. Retrieved Jul 12, 2016, from The New York Times: https://www.nytimes.com/2012/06/19/science/studies-of-human-microbiome-yield-new-insights.html

Publicado
2021-08-31
Cómo citar
Pinto, R., & Maia, P. (2021). Narratives in Biodesign: between poiesis and praxis. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (140). https://doi.org/10.18682/cdc.vi140.5102