Aspectos intermediales de la enseñanza audiovisual. Un abordaje transversal, entre el cine y los nuevos medios
Abstract
The article proposes a revision and appropriation of the concept of intermediality, elaborated collectively within the framework of the reflection on experimental artistic practices, discourse analysis and theory, and the theory of audiovisual media. Combining different contemporary expressions on the intermedia, particularly elaborated in its relation with the theories of the cinema and the new media, examines its unfolding in the discourses and supports, considering the creation of images in their hybrid and migratory aspects as an activity modulated both between different media as within each medial structure.
In order to appreciate the heuristic and practical aspects of this approximation in its didactic potential in an area in transformation and expansion, the article studies as a symptomatic case of this modality of creation the figure and the myth of Frankenstein, along its intermedial path.
References
Albera, F. (2000). «Archéologie de l’intermédialité: SME/CD-ROM, l’apesanteur», Cinémas: revue d'études cinématographiques / Cinémas: Journal of Film Studies, vol. 10, n° 2-3, 2000, p. 27-38.
Burch, N. (1989). El tragaluz del infinito. Madrid: Cátedra.
Higgins, D. (1996). “Statement on Intermedia”, en Kristine Stiles & Peter Howard Seiz, Theories and Documents of Contemporary Art: A Sourcebook of Artist’s Writings. Los Angeles, UCLA Press pp. 728-729.
Jones, S. (1994). The Illustrated Frankenstein Movie Guide. London: Titan Books.
Lecercle, J.J. (2001). Frankenstein: mito y filosofía. Buenos Aires: Nueva Visión.
Manguel, A. (1997). Bride of Frankenstein. London: British Film Institute.
Mariniello, S. (2000). “Presentation”, en Cinémas: revue d’études cinématographiques / Cinémas: Journal of Film Studies , vol. 10, n° 2-3, p. 7-9 11.
Müller, J. E. (2010). “Intermediality and Media Historiography in the Digital Era”, en Acta Universitatis Sapientiae, Film and Media Studies, 2, 15-38.
Petho, A. (2010). “Intermediality in Film: an Historiography of Methodologies”. En Acta Universitatis Sapientiae, Film and Media Studies, 2, 39-72.
Picart, C. J. S.; Smoot; F. & Blodget, J. (2001). The Frankenstein Film Sourcebook. London: Greenwood Publishing.
Picart, C. J. S. (2003). Remaking the Frankenstein Myth on Film. Albany: SUNY Press.
Zielinski, S. (2011). Arqueología de los medios. Hacia el tiempo profundo de la visión y la audición técnica. Bogotá: Universidad de los Andes.
Recursos electrónicos
Forry, S. E. (1987). “Dramatizations of Frankenstein, 1821-1986: A Comprehensive List” English Language Notes, 25:2, December, 63-79. En: Stuart Curran (ed.) Frankenstein; or, the Modern Prometheus, Pennsylvania Electronic Edition. University of Pennsylvania. Disponible en: http://knarf.english.upenn.edu/Articles/forry2.html (accedido el 13.03.2016)
Los autores/as que publiquen en esta revista ceden los derechos de autor y de publicación a "Cuadernos del Centro de Estudios de Diseño y Comunicación", Aceptando el registro de su trabajo bajo una licencia de atribución de Creative Commons, que permite a terceros utilizar lo publicado siempre que de el crédito pertinente a los autores y a esta revista.
