Ilse Salberg – creating ‘order’ in times of chaos

  • Sandra Nagel
Keywords: New Vision, Exiled artist

Abstract

Ilse Salberg (1901 – 1947) was a German-Jewish photographer who fled to France in 1936 with her partner Anton Räderscheidt, one of the leading figures of “New Objectivity” painting. Ilse was also influenced by the Neue Sachlichkeit and New Vision photography.

References

Faber Monika, “The Face under the Magnifying Glass.” Available on https://www.moma.org/interactives/objectphoto/assets/essays/Faber.pdf. (Retrieved 24/2/2025)

Feuchtwanger Lion. (1986). Der Teufel in Frankreich, Frankfurt am Main: S. Fischer Verlag

Flügge, M. (2008) “Von Montparnasse nach Sanary”, in: Moderne auf der Flucht: österreichische KünstlerInnen in Frankreich 1938 – 1945 (exhibition catalogue published by Jewish Museum Vienna, exhibition curated by Andrea Winklbauer)

Ganteführer-Trier, A. (2009) “Das „Photo-Auge“ der Ilse Salberg”, in: Anton Räderscheidt. Malerei. Ilse Salberg. Photographie. Grenzgänger. Flucht und Neubeginn 1936–1947, Cologne: Kunsthandlung Osper (exhibition catalogue-.

Herzog, G. (2009) “Anton Räderscheidt”, in: Anton Räderscheidt. Malerei. Ilse Salberg. Photographie. Grenzgänger. Flucht und Neubeginn 1936–1947, Cologne: Kunsthandlung Osper (exhibition catalogue).
Published
2025-05-21
How to Cite
Nagel, S. (2025). Ilse Salberg – creating ‘order’ in times of chaos. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (265). https://doi.org/10.18682/cdc.vi265.12304