La mirada disidente. Diseño gráfico, otredad y la subversión del poder visual

  • Celia Guadalupe Morales González
  • José Ariel Pérez Garduño
Keywords: emancipatory design, countervisuality, visual stereotypes, visual paradigm, Artificial Intelligence (AI)

Abstract

With the advent and proliferation of technological tools, including Artificial Intelligence (AI), graphic design, conceived as an articulating system of visual signs, faces significant challenges in the current context. 

References

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Barthes, R. (1977). Image, Music, Text. Fontana Press.

Baudrillard, J. (1994). Simulacra and Simulation. University of Michigan Press.

Baudrillard, J. (2000). The Vital Illusion. Columbia University Press.

Brzeżańska, A. (2023). The gaze in photography: Lacan and visuality. Pismo Widok: Teorie i praktyki kultury wizualnej, 35. https://doi.org/10.36854/widok.2023.35.2860

Costanza-Chock, S. (2020). Design Justice: Community-Led Practices to Build the Worlds We Need. MIT Press.
Published
2026-03-11
How to Cite
Morales González, C. G., & Pérez Garduño, J. A. (2026). La mirada disidente. Diseño gráfico, otredad y la subversión del poder visual. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (287). https://doi.org/10.18682/cdc.vi287.13372