Ámbito público, ámbito privado, ámbito independiente, fronteras desplazadas en el teatro de la Ciudad de Buenos Aires
Abstract
The public sector, the private sector and the independent sector seemed rigid
and insoluble worlds. From a certain point, the boundaries between them were broken
and began to mix. In public theater, TV faces shows-up and some shows designed in this
area migrate to the independent billboard and even to the commercial one. The independent theater began to atomize. Commercial theater convenes independent and public
theater directors to direct in its field. Due to these changes we can say that the field began
networking. The boundaries have shifted according to the needs and opportunities of
each production. The areas differ only because of funding and its objectives.
References
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