Moda de segunda mano: narrativa cultural en la hipermodernidad
Abstract
This article examines second-hand fashion as a cultural narrative of hypermodernity that challenges the paradigm of perpetual novelty. Once associated with scarcity, the “used” is redefined as symbolic capital tied to authenticity, memory, and differentiation.
References
Appadurai, A. (1986). The social life of things: Commodities in cultural perspective. Cambridge University Press.
Auxtova, K., Arruda, A., & Stø, E. (2025). Refashioning second-hand clothes consumption: Symbolic meanings in consumer practices. Journal of Business Ethics, 185(1), 23–41. https://doi.org/10.1007/s10551-024-05874-x
Bajtín, M. (1981). The dialogic imagination: Four essays (C. Emerson & M. Holquist, Trads.). University of Texas Press.
Baudrillard, J. (1988). Selected writings (M. Poster, Ed.). Stanford University Press. Belk, R. W. (1988). Possessions and the extended self. Journal of Consumer Research, 15(2), 139–168. https://doi.org/10.1086/209154
Auxtova, K., Arruda, A., & Stø, E. (2025). Refashioning second-hand clothes consumption: Symbolic meanings in consumer practices. Journal of Business Ethics, 185(1), 23–41. https://doi.org/10.1007/s10551-024-05874-x
Bajtín, M. (1981). The dialogic imagination: Four essays (C. Emerson & M. Holquist, Trads.). University of Texas Press.
Baudrillard, J. (1988). Selected writings (M. Poster, Ed.). Stanford University Press. Belk, R. W. (1988). Possessions and the extended self. Journal of Consumer Research, 15(2), 139–168. https://doi.org/10.1086/209154
Published
2026-06-08
How to Cite
Martínez-Navarro, G. (2026). Moda de segunda mano: narrativa cultural en la hipermodernidad. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (309). https://doi.org/10.18682/cdc.vi309.13750
Section
Artículos
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