Praxis creativa como conocimiento emergente: configuraciones complejas del diseño

  • Christian Chávez López
Keywords: Creative praxis, Emergent knowledge, Configurations, Design, Complexity

Abstract

In contemporary design, a historical division persists between research and creative production, derived from the predominance of positivist and technocratic approaches that have favoured linear models oriented towards solution efficiency. 

References

Aristóteles. (1985). Ética a Nicómaco (J. Pallí Bonet, Trad.). Gredos. (Obra original publicada ca. 384-322 a.C.)

Becktett, S. (2020). Knowledge Conditioned by the Void: On Complexity and the Design Problem, Design Issues, 36(2), 6-17. https://doi.org/10.1162/desi_a_00586.

Bernava, M. (2023). Sympoiesis and design: Towards relational ontologies in creative practice. Design Issues, 39(2), 45-58.

Boden, M. A. (1994). What is creativity? In M. A. Boden (Ed.), Dimensions of creativity (pp. 75–117). The MIT Press.

Published
2026-06-18
How to Cite
Chávez López, C. (2026). Praxis creativa como conocimiento emergente: configuraciones complejas del diseño. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (315). https://doi.org/10.18682/cdc.vi315.13808