La cortina de Parrasio

  • Camilo Páez Vanegas
Keywords: consumption, photography, nostalgia, anxiety

Abstract

This text examines the shift from user to consumer. Firstly, I analyse the concept from the perspective of the tool and the definition of digital technology, providing a framework for the concept that goes beyond the definitions typically found within the field of user experience. 

 

References

Agamben, G. (2011). ¿Qué es un dispositivo? Sociológica, 26 (73)(Mayo-Agosto), 249–264. http://www.scielo.org.mx/scielo.php?script=sci_arttext&pid=S0187-01732011000200010rg/articulo.oa?id=305026708010

Alfred, R. (2011, May 2). May 2, 1887: Celluloid-Film Patent Ignites Long Legal Battle. Https://www.Wired.Com/2011/05/0502celuloid-Photographic-Film/.

Boym, S. (2007). Nostalgia and Its Discontents. The Hedgehog Review. https://hedgehogreview.com/issues/the-uses-of-the-past/articles/nostalgia-and-its-discontents

Fisher, M. (2017). Realismo Capitalista : ¿no hay alternativa? Caja Negra Editores. http://www.cajanegraeditora.com.ar/libros/realismo-capitalista

Published
2026-06-18
How to Cite
Páez Vanegas, C. (2026). La cortina de Parrasio. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (316). https://doi.org/10.18682/cdc.vi316.13822