Identidade de Maestro Atrelada à Identidades Sáficas – Análise Acerca de Representação e Representatividade em “Tár”

  • Ingrid Stein Fernandez da Silva
Keywords: identity of the orchestral conductor, sapphic identities, representativeness

Abstract

This paper aims to offer a critical analysis of the film “Tár” (2022), focusing on issues of gender, sexuality, representation, and representativeness. 

References

Adorno, T. W. (2017). Introdução à sociologia da música (2ª ed.). Editora UNESP. Boscov, I. (2023, January 26). Tár: o colosso de Cate Blanchett [Video]. YouTube. https://www.youtube.com/watch?v=Yq_VaM6WYqI

Coghlan, A. (2023, January 8). I’m offended by Tár as a woman, as a conductor, as a lesbian [Interview]. The Times. https://www.thetimes.com/life-style/article/im-offended-by-taras-a-woman-as-a-conductor-as-a-lesbian-t22vg7p70

Cremona, P. (2023, January 13). Tár director responds to criticism that film is “anti-woman” [Interview]. Radio Times. https://www.radiotimes.com/movies/tar-director-respondsanti-woman-exclusive-newsupdate/

Published
2026-07-15
How to Cite
Stein Fernandez da Silva, I. (2026). Identidade de Maestro Atrelada à Identidades Sáficas – Análise Acerca de Representação e Representatividade em “Tár”. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (324). https://doi.org/10.18682/cdc.vi324.14002