Historietar

Abstract

The comic scritpt, as a collective art, results from the convergency of various rationalities and creative
dyanamics. A survey done to a group of script writers and an analisys of historical development of the
drawers equipment, in Argentina, suggest that the rationality of the first would be purely artistic, while on
the other hand, due to a market pressure, it suffers a displacement from the artistic to the handmade.
During the investigation emerge, from the script writers themselves, the asseveration from the limitation
of creative universe to a limited and restictive group of subjects.