High Concept en el escenario del Pitch: Herramientas de seducción en el mercado de proyectos fílmicos

  • Fabián Iriarte
Keywords: audience community; events and incidents; pitch session; presentation’s procedure; recurrent motive; script editor; treatement; wish line

Abstract

Over the past years a conceptual resource on the advantages of dialetics concentric of projects and
developments of a partial cut, under the premise of generating a fluid feedback between the executivecreative circle, through the catalizing system of High Concept has been install. The essay deepens inside
source’s diagrams of paradigmatic information, that results effective for this system which already counts
with specific rules and satifactory results for boths parts in the frame of commercialization and development of ideas with potencial filming.

References

Katz, S. D. (1991). Shot by Shot: Visualizing from concept to screen, Studio City, CA, Michael Wise Production.

Truby, J.(2003). Secrets of Blockbuster Movies - Deep Structure, Burbank, CA, Writerstore.

Phillips, M. A.(2002) Dramatica: A New Theory Of Story By Melanie Anne Phillips and Chris Huntley, Chapter 11,

Problem Solving and Justification, Deep Theory, Storymind.

Tarkovski, A. (1991) Esculpir en el Tiempo. Madrid: Ediciones Rialp.

Caveing, M. La dialecticque du concept au cinema, Revue de filmologie, 2.

Payan, M.J, (s/f) David Lynch. Madrid: Ediciones JC.

Published
2019-10-18
How to Cite
Iriarte, F. (2019). High Concept en el escenario del Pitch: Herramientas de seducción en el mercado de proyectos fílmicos. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (16), 53 a 66. https://doi.org/10.18682/cdc.vi16.1614
Section
Artículos