Imaginación, positivismo y actividad proyectual

Abstract

The theme of the method in the design constitutes the focal point that focalizes the necessity of assuming
the multiple dimension of the problematic of this one as a multiple dimension. The author from a critic focussing of an etymological order, question the application of the scientific methods and its relation with the design. The proposed analysis fixes the specifications of the scientific methods, emphasizing the tensions of the links of science processes, the sense of the creativity and the steps associated to the creative process. The purpose expresses the question about the possibilities of making a concept on the thinking and the making.