Transborges

  • Graciela Taquini
Keywords: multimedia; networks; palimpsestos; simulacrum; visionary

Abstract

This work not only rescues the way by which contemporary artists are inspired by Borges, quoting and redefining him, but it dives also, in the twisted ways that founded his thought. Also, it finds certain keys that reveal how Borges is an artist and a thinker who anticipated the future. His literary creations and his ways of thinking glimpsed what will come, a digital universe that he did not know, but previewed.

References

Alonso, Rodrigo. Calibrando la net, Arte y tecnología en www.roalonso.net/es/arte_y_tec/calibrando.php.

Gache, Belén. (1999). El lado invisible de las cosas, en Borges es, Madrid: Casa de América.

González, Valeria. (2006). RES / La verdad inutil (The useless truth). Bs As: Ediciones La Marca.

Martínez, Guillermo. Borges y la matemática, Seix Barral.

Manovich, Lev. New Media from Borges to HTML, www.http://nothing.org/netart_101/readings/manovich.htm.

Sasson-Henry, Perla. Borges 2.0: From Text to Virtual Worlds (Latin America Interdisciplinary Studies).

Published
2019-10-25
How to Cite
Taquini, G. (2019). Transborges. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (27), 63-72. https://doi.org/10.18682/cdc.vi27.1686