Fotografía y Realidad

Abstract

The photography, whose historical map course has journeyed through three centuries has always been a object of study that goes beyond its technological analysis. The substrate of its essence has taken to investigators, semiologists and philosophers to even consider its importance like object-subject of the photographed thing. It is in the picture, especially, where it acquires very particular characteristics because it extends itself to the human being, immortalizes him and it is permanent source of intelligence. The present work even bases its theory on the creation and reality sense that entails the photographic image. As well as in its beginnings it was doubted the creativity or the artistic criterion of the photography, on century XX was based its analysis on cut of the reality, the demonstration of the object, the visual track.
Today, the glance concentrates in “ incidialidad” and the reality than the image it creates. Through reflections of investigators and professional photographers, we will carry out a route that goes from the planning of the early photography to the last studies. The intention consists in establishing the criterion of diverse approaches in the exciting world of the photography and its reality