A cien años de la Bauhaus: conexiones, ideales y materialización de un proyecto utópico

  • María Valeria Frindt Garretón
Keywords: Utopian socialism ; Modernism ; Design ; Bauhaus ; Social development

Abstract

In this article ideas will be desplayed as result of reflections on the Bauhaus made in design history courses in the last few years. Design as a discipline is relatively new, proper to the Modern context in wich it emerged after Indsutrial Revolution and in its short trayectory has allowed many people to improve their quality of life thanks to innovations that has been incorporated and to the massification of well-made objects. Although many see it as a vain profession, its origins allowed our subsistence and now, once basic needs are met, it has become a powerfull tool for social development.

References

Droste, M. (1991). Bauhaus: 1919-1933, Berlín: Taschen.

Févre, F. (1984). Modernidad y Posmodernidad en el arte, Buenos Aires: Fundación de arte Ana Torre.

Gombrich, E. (1997). Historia del Arte, Nueva York: Ediciones Phaidon

Kraube, A. C. (2005). Historia de la pintura, del renacimiento a nuestros días, México: Ullmann.

Marx, K. (2014). El capital, Madrid: Siglo XXI.

Meggs, P. (2012). Megg´s history of graphic design, New York: John Willey & Sons.

Salinas, O. (1992). Historia del diseño industrial, México: Editorial Trillas

Published
2020-09-09
How to Cite
Frindt Garretón, M. V. (2020). A cien años de la Bauhaus: conexiones, ideales y materialización de un proyecto utópico. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (103). https://doi.org/10.18682/cdc.vi103.4163