Cine, Moda, Cuerpo, Arte y Diseño: La moda en el cine

  • Patricia Doria
  • Denise Trindade
  • Beatriz Ferreira Pires
Keywords: Audiovisual ; Cinema ; Corporal ; Fashion ; Characters ; Seduction ; Meaning

Abstract

Research Project 17.1 explores different productions linked with an emphasis on cinema, as another way of narrating and temporalizing fashion. Cinema, as an expression of mass culture, has always been a representation of diverse imaginations and aspirations, where fashion, as a social and cultural phenomenon, has not been exempt from its influence. It proposes to awaken awareness of the relationship between fashion and film, and to generate new questions about these disciplinary areas, the link with the system of meanings, in the semantic and syntactic analysis that creates meaning through costumes. Extend the linguistic analysis to the set of cultural phenomena, mainly about fashion and social signs that make it possible to decode them through cinema. In this way, inspiring costumes, symbols and implicit messages come together in films that reflect values, meanings, features of times and situations anchored in the collective memory. The phenomenon is analyzed through a plural and multidisciplinary methodological journey, based on a film corpus, which establishes its correlation with the fashion system of the twentieth and twenty-first centuries.

References

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Published
2021-09-30
How to Cite
Doria, P., Trindade, D., & Ferreira Pires, B. (2021). Cine, Moda, Cuerpo, Arte y Diseño: La moda en el cine. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (145). https://doi.org/10.18682/cdc.vi145.5206

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