Photography in Flux: The Global Contemporary
Palabras clave:
Fotografía artística contemporánea ; narración ; ficción ; visibilidad
Resumen
Este ensayo reflexiona sobre las condiciones de la fotografía artística contemporánea como fenómeno global de una red internacional en expansión tanto de producción, difusión como de discurso.
Citas
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Bate, D. (2016). Photography: the key concepts. London: Bloomsbury.
Bogre, M. (2020) Documentary Photography Reconsidered: History, Theory and Practice. Abingdon: Routledge.
Bose, S. (2020). Where the Birds Don’t Sing. Kolkata: Red Turtle Books.
Burgin, V. (1982). Thinking Photography. London: Macmillan.
Cartier-Bresson, H. (1952) The Decisive Moment. New York: Simon and Schuster.
Charlesworth, J. (2014). ‘Global versus Local’, ArtReview, Retrieved from https://artreview.com/november-2013-feature-global-versus-local-by-jj-charlesworth-1
Deepali D. (2020). ‘Drik Picture Library, Dhaka, Bangladesh: A Conversation with Shahidul Alam’, Trans Asia Photography, 10 (2). Retrieved from http://hdl.handle.net/2027/spo.7977573.0010.216
Drucker, J. (2005). Sweet Dreams: Contemporary Art and Complicity. Chicago: University of Chicago Press.
Groys, B. (2009). ‘Politics of Installation’, e-flux 2, Retrieved from https://www.e-flux.com/journal/02/68504/politics-of-installation/
Hacking, J. (2015). ‘Lost in Translation? Interpreting contemporary Chinese photography’, Photographies 8 (2), 191-210.
Harris, J. (2011). Globalization and Contemporary Art. London: Wiley Blackwell.
Lederman, R. & Yatskevich, O. (2021). What The Saw: Historical Photobooks by Women, 1843-1999. New York: 10x10 Photobooks.
Marien, M. (2014). Photography: A Cultural History. London: Laurence King.
Osborne, P. (2013). Anywhere or Not at All: Philosophy of Contemporary Art. London: Verso
Rosler, M. (1981). In, around, and afterthoughts (on documentary photography). In C.Squiers, (ed.) The Context of Meaning: Critical Histories of Photography. Cambridge, Masachussets: MIT Press, 303-325.
Soutter, L. (2018a). Why Art Photography? Abingdon: Routledge.
Soutter, L. (2018b) ‘Notes on Photography and Cultural Translation’, Photographies 11 (2-3), 329-338.
Tagg, J. (1988). The Burden of Representation: Essays on Photographies and Histories. London: Palgrave Macmillan.
Tormey, J. (2013). Photographic Realism: Late twentieth-century aesthetics. Manchester: Manchester University Press.
Trachtenberg, A (1980). Classic Essays on Photography. New Haven, Connecticut: Leete’s Island Books.
Wallis, B. (1991). Art After Modernism: Rethinking Representation. New York: The New Museum.
Wells, L (2021). Photography: A Critical Introduction. Abingdon: Routledge.
Zhuang, W. (2016). Photography in Southeast Asia: A Survey. Singapore: University of Singapore Press.
Bate, D. (2016). Photography: the key concepts. London: Bloomsbury.
Bogre, M. (2020) Documentary Photography Reconsidered: History, Theory and Practice. Abingdon: Routledge.
Bose, S. (2020). Where the Birds Don’t Sing. Kolkata: Red Turtle Books.
Burgin, V. (1982). Thinking Photography. London: Macmillan.
Cartier-Bresson, H. (1952) The Decisive Moment. New York: Simon and Schuster.
Charlesworth, J. (2014). ‘Global versus Local’, ArtReview, Retrieved from https://artreview.com/november-2013-feature-global-versus-local-by-jj-charlesworth-1
Deepali D. (2020). ‘Drik Picture Library, Dhaka, Bangladesh: A Conversation with Shahidul Alam’, Trans Asia Photography, 10 (2). Retrieved from http://hdl.handle.net/2027/spo.7977573.0010.216
Drucker, J. (2005). Sweet Dreams: Contemporary Art and Complicity. Chicago: University of Chicago Press.
Groys, B. (2009). ‘Politics of Installation’, e-flux 2, Retrieved from https://www.e-flux.com/journal/02/68504/politics-of-installation/
Hacking, J. (2015). ‘Lost in Translation? Interpreting contemporary Chinese photography’, Photographies 8 (2), 191-210.
Harris, J. (2011). Globalization and Contemporary Art. London: Wiley Blackwell.
Lederman, R. & Yatskevich, O. (2021). What The Saw: Historical Photobooks by Women, 1843-1999. New York: 10x10 Photobooks.
Marien, M. (2014). Photography: A Cultural History. London: Laurence King.
Osborne, P. (2013). Anywhere or Not at All: Philosophy of Contemporary Art. London: Verso
Rosler, M. (1981). In, around, and afterthoughts (on documentary photography). In C.Squiers, (ed.) The Context of Meaning: Critical Histories of Photography. Cambridge, Masachussets: MIT Press, 303-325.
Soutter, L. (2018a). Why Art Photography? Abingdon: Routledge.
Soutter, L. (2018b) ‘Notes on Photography and Cultural Translation’, Photographies 11 (2-3), 329-338.
Tagg, J. (1988). The Burden of Representation: Essays on Photographies and Histories. London: Palgrave Macmillan.
Tormey, J. (2013). Photographic Realism: Late twentieth-century aesthetics. Manchester: Manchester University Press.
Trachtenberg, A (1980). Classic Essays on Photography. New Haven, Connecticut: Leete’s Island Books.
Wallis, B. (1991). Art After Modernism: Rethinking Representation. New York: The New Museum.
Wells, L (2021). Photography: A Critical Introduction. Abingdon: Routledge.
Zhuang, W. (2016). Photography in Southeast Asia: A Survey. Singapore: University of Singapore Press.
Publicado
2023-04-12
Cómo citar
Lucy , S. (2023). Photography in Flux: The Global Contemporary. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (186). https://doi.org/10.18682/cdc.vi186.9260
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