Astonishing sounds: exploiting stones for a sonic poiesis
##plugins.pubIds.doi.readerDisplayName##:
https://doi.org/10.18682/cdc.vi239.11528
Résumé
The profound connection existing between human beings, technology and nonorganic matter is the one that has made our reality possible through centuries.
Références
[1] Pance, A, Bilbrey A, Alioshin, P, 2013, United States Patent: 8378797 – Method and apparatus for localization of haptic feedback. Retrieved 2017-05-17
[2] Careri, F 2006, Walkscapes. Camminare come pratica estetica. Einaudi, Torino
[3] Latour, B 2002, Morality and Technology. The end of the means. Theory, Culture &
Society, Vol. 19(5/6): 247–260, SAGE, London
[4] Cohen, JJ 2015, Stone. An ecology of the inhuman. University of Minnesota Press, Minneapolis
[2] Careri, F 2006, Walkscapes. Camminare come pratica estetica. Einaudi, Torino
[3] Latour, B 2002, Morality and Technology. The end of the means. Theory, Culture &
Society, Vol. 19(5/6): 247–260, SAGE, London
[4] Cohen, JJ 2015, Stone. An ecology of the inhuman. University of Minnesota Press, Minneapolis
Publiée
2024-07-25
Comment citer
Dell’Aglio, F. (2024). Astonishing sounds: exploiting stones for a sonic poiesis. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (239). https://doi.org/10.18682/cdc.vi239.11528
Rubrique
Artículos
Los autores/as que publiquen en esta revista ceden los derechos de autor y de publicación a "Cuadernos del Centro de Estudios de Diseño y Comunicación", Aceptando el registro de su trabajo bajo una licencia de atribución de Creative Commons, que permite a terceros utilizar lo publicado siempre que de el crédito pertinente a los autores y a esta revista.
