Cultura Pop, Género y Performatividad: La mujer y la feminidad en la cultura pop de los 2000s
Palavras-chave:
Cultura pop, feminilidade
Resumo
A década de 2000 é caracterizada pela grande influência da cultura pop na construção da sociedade da época.
Referências
Abruzzese, A. (2004). Cultura de Masas. Cuadernos de Información y Comunicación, 9, 189-192.
Bennett, T. (1986). “Introduction: Popular Culture and the ‘Turn to Gramsci’”, Popular Culture and Social Relations, T.Bennet, C.Mercer y J. Woollacott (eds.), Milton Keynes, Open University Press.
Braithwaite, Anne. (2002). The Personal, the Political, Third-Wave and Postfeminisms. Feminist Theory, 3(3), 335-344.
Brauer, L. & Shields, V. R. (1999), ‘Princess Diana’s celebrity in freeze-frame: Reading the constructed image of Diana through photographs’, European Journal of Cultural Studies, 2:1, pp. 5–25.
Buonanno, M. (1999). El drama televisivo: identidad y contenidos sociales. Gedisa.
Genz, Stéphanie. (2009). “I Am Not a Housewife, but...”: Postfeminism and the Revival of Domesticiy. En Stacy Gillis y Joanne Hollows (comps.), Feminism, domesticity and popular culture (pp. 49-62). Nueva York y Londres: Routledge.
Giraldo, I. (2019) Posfeminismo / Genealogía, geografía y contornos de un concepto. Debate Feminista 59 (pp. 1-30).
Grady, C. (2021, mayo). The bubblegum misogyny of 2000s pop culture. Vox. https://www.vox.com/culture/22350286/2000s-pop-culture-misogyny-britney-spears-janet-jacksonwhitney-houston-monica-lewinsky
Holmes, S. & Redmond, S. (2006), Framing Celebrity: New Directions in Celebrity Culture, New York: Routledge.
Horkheimer, M. & Adorno, T. W. ([1947] 2002), Dialektik der Aufklärung (‘Dialectic of enlightenment: Philosophical fragments’), Stanford, CA: Stanford University Press.
Kale, S. (2021, 6 de marzo) ‘I was worried Lindsay, Paris or Britney would die’: why the 00s were so toxic for women. The Guardian. https://www.theguardian.com/culture/2021/mar/06/why-the-00s-were-so-toxic-for-women
Lasch, C. (1979). The Culture Of Narcissism, American Life in an Age of Diminishing Expectations. W. W. Norton.
Martínez, J. (2011). Sociedad del Entretenimiento (2): Construcción socio-histórica, definición y caracterización de las industrias que pertenecen a este sector. Luciérnaga, Año 3, Edición 6.
Matusitz, J. & Simi, D. (2021), ‘Celebrity manufacture theory: Revisiting the theorization of celebrity culture’, Empedocles: European Journal for the Philosophy of Communication, 12:2, pp. 129–44, https://doi. org/10.1386/ejpc_00033_1
McLuhan, M. & McLuhan, E. La Ley de los Medios, 1970.
McRobbie, Angela. (2004). Post-feminism and Popular Culture. Feminist Media Studies, 4(3), 255-264.
McRobbie, Angela. (2009). The Aftermath of Feminism: Gender, Culture and Social Change. Londres: Sage.
Mendelson, A. L. (2007), ‘On the function of the United States paparazzi: Mosquito swarm or watchdogs of celebrity image control and power’, Visual Studies, 22:2, pp. 169–83.
Saraswati, A. (2022, abril). Why the 2000s was a Misogynistic Wasteland. The New Feminist. https://www.thenewfeminist.co.uk/2022/04/why-the-2000s-was-a-sexist-wasteland/
Strickland, H. (2014). Women at Work: Working Girl, Disclosure and the Evolution of Professional Female Stereotypes. Scripps Senior Theses. Paper 386. http://scholarship.claremont.edu/scripps_theses/386
The Take (2021). The Myth of Postfeminism - Why the 00’s Were So Sexist. [Archivo de Vídeo]. Youtube. https://www.youtube.com/watch?v=oBxgEIcMB6o&t=280s
Vargas Llosa, M. (2009, febrero). La Civilización del Espectáculo. Letras Libres. https://letraslibres.com/revista-espana/la-civilizacion-del-espectaculo/
Vargas Llosa, M. (2012, julio). ¿Alta Cultura o Cultura de Masas? Letras Libres. https://letraslibres.com/revista-espana/alta-cultura-o-cultura-de-masas/
Bennett, T. (1986). “Introduction: Popular Culture and the ‘Turn to Gramsci’”, Popular Culture and Social Relations, T.Bennet, C.Mercer y J. Woollacott (eds.), Milton Keynes, Open University Press.
Braithwaite, Anne. (2002). The Personal, the Political, Third-Wave and Postfeminisms. Feminist Theory, 3(3), 335-344.
Brauer, L. & Shields, V. R. (1999), ‘Princess Diana’s celebrity in freeze-frame: Reading the constructed image of Diana through photographs’, European Journal of Cultural Studies, 2:1, pp. 5–25.
Buonanno, M. (1999). El drama televisivo: identidad y contenidos sociales. Gedisa.
Genz, Stéphanie. (2009). “I Am Not a Housewife, but...”: Postfeminism and the Revival of Domesticiy. En Stacy Gillis y Joanne Hollows (comps.), Feminism, domesticity and popular culture (pp. 49-62). Nueva York y Londres: Routledge.
Giraldo, I. (2019) Posfeminismo / Genealogía, geografía y contornos de un concepto. Debate Feminista 59 (pp. 1-30).
Grady, C. (2021, mayo). The bubblegum misogyny of 2000s pop culture. Vox. https://www.vox.com/culture/22350286/2000s-pop-culture-misogyny-britney-spears-janet-jacksonwhitney-houston-monica-lewinsky
Holmes, S. & Redmond, S. (2006), Framing Celebrity: New Directions in Celebrity Culture, New York: Routledge.
Horkheimer, M. & Adorno, T. W. ([1947] 2002), Dialektik der Aufklärung (‘Dialectic of enlightenment: Philosophical fragments’), Stanford, CA: Stanford University Press.
Kale, S. (2021, 6 de marzo) ‘I was worried Lindsay, Paris or Britney would die’: why the 00s were so toxic for women. The Guardian. https://www.theguardian.com/culture/2021/mar/06/why-the-00s-were-so-toxic-for-women
Lasch, C. (1979). The Culture Of Narcissism, American Life in an Age of Diminishing Expectations. W. W. Norton.
Martínez, J. (2011). Sociedad del Entretenimiento (2): Construcción socio-histórica, definición y caracterización de las industrias que pertenecen a este sector. Luciérnaga, Año 3, Edición 6.
Matusitz, J. & Simi, D. (2021), ‘Celebrity manufacture theory: Revisiting the theorization of celebrity culture’, Empedocles: European Journal for the Philosophy of Communication, 12:2, pp. 129–44, https://doi. org/10.1386/ejpc_00033_1
McLuhan, M. & McLuhan, E. La Ley de los Medios, 1970.
McRobbie, Angela. (2004). Post-feminism and Popular Culture. Feminist Media Studies, 4(3), 255-264.
McRobbie, Angela. (2009). The Aftermath of Feminism: Gender, Culture and Social Change. Londres: Sage.
Mendelson, A. L. (2007), ‘On the function of the United States paparazzi: Mosquito swarm or watchdogs of celebrity image control and power’, Visual Studies, 22:2, pp. 169–83.
Saraswati, A. (2022, abril). Why the 2000s was a Misogynistic Wasteland. The New Feminist. https://www.thenewfeminist.co.uk/2022/04/why-the-2000s-was-a-sexist-wasteland/
Strickland, H. (2014). Women at Work: Working Girl, Disclosure and the Evolution of Professional Female Stereotypes. Scripps Senior Theses. Paper 386. http://scholarship.claremont.edu/scripps_theses/386
The Take (2021). The Myth of Postfeminism - Why the 00’s Were So Sexist. [Archivo de Vídeo]. Youtube. https://www.youtube.com/watch?v=oBxgEIcMB6o&t=280s
Vargas Llosa, M. (2009, febrero). La Civilización del Espectáculo. Letras Libres. https://letraslibres.com/revista-espana/la-civilizacion-del-espectaculo/
Vargas Llosa, M. (2012, julio). ¿Alta Cultura o Cultura de Masas? Letras Libres. https://letraslibres.com/revista-espana/alta-cultura-o-cultura-de-masas/
Publicado
2024-03-20
Como Citar
Carrera, A. C. (2024). Cultura Pop, Género y Performatividad: La mujer y la feminidad en la cultura pop de los 2000s. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (214). https://doi.org/10.18682/cdc.vi214.10996
Seção
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