Los victimarios en el cine documental. El díptico de Joshua Oppenheimer y la modalidad participativa

Lior  Zylberman

doi:10.18682/cdc.vi108.4048

Lior Zylberman

DOI: https://doi.org/10.18682/cdc.vi108.4048

Palavras-chave: Cinema Documental; genocídio; intérpretes; modos; violência

Resumo

Este trabalho faz parte de uma investigação sobre a representação de genocídios no cinema documental, neste caso, será investigado sobre como a memória dos autores foi apresentada. Para fazer isso, alguns antecedentes e problemas sobre o assunto serão primeiro revisados brevemente; segundo, revisaremos as estratégias de representação empregadas que sugerimos para analisar a representação do autor; finalmente, focamos na modalidade participativa baseada nos documentários The Act of Killing (Joshua Oppenheimer, 2012) e The Look of Silence (Joshua Oppenheimer, 2014). Lá, além de pensar nas características dessa modalidade, analisaremos a memória que essa estratégia permite acionar.

Referências

Adams, J., & Vice, S. (Eds ). (2013). Representing Perpetrators in Holocaust Literature and Film. Vallentine Mitchell.

Baddeley, A., Eysenck, M., & Anderson, M. (2018). Memoria. Alianza Editorial.

Brink, J., & Oppenheimer, J. (2013). Killer Images: Documentary Film, Memory and the Performance of Violence. Columbia University Press.

Browning, C. (2011). Aquellos hombres grises. El batallón 101 y la solución final en Polonia. Edhasa.

Bruzzi, S. (2006). New Documentary. Routledge.

Chalk, F., & Jonassohn, K. (2010). Historia y sociología del genocidio. Prometeo.

Collingwood, R. G. (1952). Idea de la Historia. Fondo de Cultura Económica. de Swaan, A. (2015). The Killing Compartments. The Mentality of Mass Murder. Yale University Press.

El-Hai, J. (2015). El nazi y el psiquiatra. Ariel.

Fraser, N. (2013). We Love Impunity: The Case of The Act of Killing. Film Quarterly, 67(2), 21-24. https://doi.org/10.1525/fq.2014.67.2.21

Fraser, N. (2014). The Act of Killing: Don’t give an Oscar to this snuff movie. https://www.theguardian.com/commentisfree/2014/feb/23/act-of-killing-dont-give-oscar-snuffmovie-indonesia

Hatzfeld, J. (2004). Una temporada de machetes. Anagrama.

Jablonka, I. (2017). Nueva memoria para una nueva historia. En I. Jablonka & A. Wieviorka (Eds.), Nuevas perspectivas sobre la Shoá. Universidad Nacional de Quilmes Editorial.

LaCapra, D. (2005). Escribir la historia, escribir el trauma. Nueva Visión.

Lanzmann, C. (2011). La liebre de la Patagonia. Seix Barral.

Metz, J. (2012). Reading the victimizer: Towards an ethical practice of figuring the traumatic moment in Holocaust literature. Textual Practice, 26 (6), 1021-1043. https://doi.org/10.1080/0950236X.2012.727016

Oppenheimer, J. (2012). Perpetrators’ Testimony and the Restoration of Humanity: S21, Rithy Panh. En Joram ten Brink & J. Oppenheimer (Eds.), Killer Images. Documentary Film, Memory and the Performance of Violence. Wallflower.

Oppenheimer, J., & Uwemedimo, M. (2012). Show of Force. A cinema‐séance of power and Violence in Sumatra’s plantation belt. En J. Oppenheimer & J. ten Brink (Eds.), Killer Images. Documentary Film, Memory and the Performance of Violence (pp. 287-310). Wallflower. https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1467-8705.2009.01851.x

Panh, R., & Bataille, C. (2013). La eliminación. Anagrama.

Plantinga, C. (2009). The Philosophy of Errol Morris: Ten Lessons. En W. Rothman (Ed.), Three Documentary Filmmakers. Errol Morris, Ross McElwee, Jean Rouch. SUNY.

Robinson, G. (2018). The Killing Season. Princeton University Press.

Roosa, J. (2006). Pretext for Mass Murder. The September 30th Movement and Suharto’s Coup d’État in Indonesia. The University of Wisconsin Press. Taylor, C. (2006). Imaginarios sociales modernos.

Paidós. Waller, J. (2007). Becoming Evil. How Ordinary People Commit Genocide and Mass Killing. Oxford University Press.

Wieviorka, A. (2006). The Era of Witness. Cornell University Press.

Williams, T., & Buckley-Zistel, S. (Eds.). (2018). Perpetrators and Perpetration of Mass Violence. Action, Motivations and Dynamics. Routledge.

Winston, B. (1988). The Tradition of the Victim in Griersonian Documentary. En A. Rosenthal (Ed.), New Challenges for Documentary (pp. 269-287). University of California Press.

Zimbardo, P. (2008). El efecto Lucifer. Paidós.

Zylberman, L. (2015). ¿Una película sobre el olvido? Sobre The act of killing de Joshua Oppenheimer. TOMA UNO, 4, 57-70.

Zylberman, L. (2016). Una aproximación a la construcción del mal en el díptico documental de Joshua Oppenheimer sobre Indonesia. Cuadernos de Marte, 0(10), 149-172.

Zylberman, L. (2018). Cine Documental y Genocidio: Hacia un abordaje integral. Significação: Revista de Cultura Audiovisual, 45(50), 223-238. https://doi.org/10.11606/issn.2316-7114.sig.2018.144075