Comic books as Ontographs: The composition process of Abrégé de Bande Dessinée Franco-Belge

Ilan  Manouach

doi:10.18682/cdc.vi125.4553

Ilan Manouach

DOI: https://doi.org/10.18682/cdc.vi125.4553

Palavras-chave: mash-up ; materialidade dos comics ; ontografía ; bande dessinée ; apropriação

Resumo

Neste artigo eu analiso o processo compositivo de meu livro Abrégé da bande dessinée, publicado no ano 2018 e, até hoje, parte no catálogo de oito editoras de quadrinhos. Abrégé foi construído seguindo os preceitos da ontografia, um modelo de representação conceptual para os objetos que foi teorizado pelo desenhador de videojogos e filósofo da Ontologia Orientada aos Objetos Ian Bogost. Abrégé apresenta uma tipologia visual personal dos graphemos que foram tomados dum reservatório compartilhado da tradição dos quadrinhos Franco-Belgas, onde as pessoas podem encontrar uma variedade de proto-memes em quadrinhos, aparelhos metanarrativos, elementos paratextuais e blocos de construção dos quadrinhos europeus.

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