La Vida, Lucky
Resumo
A vida de Waleska Torres foi documentada em uma história de não ficção intitulada lucky pela diretora Laura Checkoway, produzida por Neyda Martinez. O filme, que estreou em 2013, durou mais de cinco anos nas ruas de Nova York e seguiu Lucky Torres, que cresceu órfã em um sistema que a fez se sentir como um ninguém. Neste artigo, na análise de Martinez e Potashnik, ambos refletirão por trás do rosto de Lucky, para reexaminar a urgência de sua história, evolução e jornada como uma heroína improvável que se atreve a viver a vida em seus próprios termos. Os autores argumentam que a história de Lucky permanece tão vital e atual hoje como era na época da estreia, como a vida de Lucky ressalta a situação de incontáveis jovens pobres marginalizados e abandonados enfrentando circunstâncias de vida semelhantes. Mascarada de tatuagens, Lucky se transformou em sua própria tela. Seu rosto gravado por tinta traça uma vida de violência e resistência e cria uma barreira auto-imposta entre ela e o mundo convencional. A produtora Neyda Martínez explica: “A história de Lucky faz parte de uma geração com pais perdidos para a crise da AIDS dos anos 70 e 80. Forçados a suportar a educação transitória sem suspensão e a falta de apoio prestado por modelos responsáveis, eles, em vez disso, dependem da mídia para moldar seus sonhos de sucesso. Por que as pessoas rejeitam Lucky? Por que as pessoas estão chocadas com sua postura e coragem? “Nós, nossa sociedade, somos responsáveis por tê-la abandonado e criado. Como artistas, nosso trabalho é posicionar um espelho para mostrar claramente o que muitos se recusam a ver”, diz Martínez.
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