Diálogos dicotómicos entre Artesanía y Diseño Una perspectiva crítica
Palavras-chave:
Artesanato ; Colaboração ; Co;criação ; Design descolonial ; Conhecimento tácito
Resumo
A relação entre artesanato e design tem sido amplamente discutida a partir de várias perspectivas teóricas e metodológicas.
Referências
Abdulla, D. (2018). Design otherwise: towards a locally centric design education in Jordan. PhD Thesis, Goldsmith, University of London.
Akama, Y., Hagen, P. and Whaanga-Schollum, D. (2019) ‘Problematizing Replicable Design to Practice Respectful, Reciprocal, and Relational Co-designing with Indigenous People’, Design and culture, 11(1), pp.59–84.
Alborán, D. (2020) Towards a Buen Vivir-centric design: Decolonising artisanal design with Mayan weavers from the highlands of Chiapas Mexico. PhD Thesis. Auckland University of Technology
Cáceres, A. and Reyes, J. (2008) Historia hecha a mano: nosotros los artesanos y las ferias de artesanía del siglo XXI. Santiago: CNCA.
Calderón, P. (2014) Problematizing ‘Social Design’. [Online]Pablocalderonsalazar.com.
Calderon, P. and Huybrechts, L. (2020) PD otherwise will be pluriversal (or it won’t be). In Proceedings of the 16th Participatory Design Conference 2020 - Participation(s) Otherwise, Vol. 1, (PDC ‘20). Association for Computing Machinery, New York, NY, USA, pp. 107–115.
Chalkho, R. (2013) Diseño y Artesanía: Debates en torno a la producción de Objetos, in: Valdés, S. ed. Diseño participativo y sustentable. Buenos Aires: Ediciones CCC.
CNCA (2008) Chile Artesanal, Patrimonio Hecho a Mano, Santiago: CNCA
CNCA (2009) Política de fomento de las artesanías 2010-2015, Valparaíso, Departamento de Estudios. Valparaíso: CNCA.
CNCA (2017a) Ideas matrices para un proyecto de ley de fomento y desarrollo del sector artesanal chileno. Santiago: CNCA.
CNCA (2017b) Política nacional de Artesania: 2017-2022. Consejo Nacional de la Cultura y las Artes. Santiago: CNCA.
Escobar, A. (2016) Autonomía y Diseño: La realización de lo comunal. Popayán: Universidad del Cauca
Escobar. A. (2017a). ‘Response: Design for/by [and from] the “global South.”’ Design Philosophy Papers, 15(1), pp.39–49.
Escobar, A. (2017b) Designs for the pluriverse: radical interdependence, autonomy, and the making of worlds. New ecologies for the twenty-first century. Durham: Duke University Press.
Escobar, A. (2018a) ‘Autonomous design and the emergent transnational critical design studies field’, Strategic Design Research Journal, 11(2), pp.139–146.
Escobar, A. (2018b). Sentipensar con la tierra: Nuevas lecturas sobre desarrollo, territorio y diferencia. Ediciones UNAULA, Medellín, Colombia.
Escobar, T. (1986) El mito del arte y el mito del pueblo: Cuestiones sobre arte popular. Asuncion: R.Peroni.
Fiss, K. (2013) ‘Hybridity, hegemony and design in a globalized economy’, Routledge. pp.45–56.
Kalantidou, E. and Fry, T. (2014) Design in the borderlands. London: Routledge.
Leitão, R. M. (2017) Culture as project: design, self-determination and identity assertion in indigenous communities. PhD Thesis. The University of Montreal.
Leitão, R. M. and Noel, L. (2022) ‘If you’re not in an existential crisis as a designer in Social Design you’re not doing it right!’ in Tsekleves, E and Noel, L (ed.) The Little Book of Designer’s Existential Crises in 2022. Lancaster: Imagination Lancaster. Lancaster University, pp.5-11.
Mignolo, W. (2007) ‘Delinking: The rhetoric of modernity, the logic of coloniality and the grammar of de-coloniality’. Cultural Studies, 21, pp.449–514.
Murray, K. (2010) ‘Exogamy in World Craft: A South-South Perspective’, The journal of modern craft, 3(2), pp.137–142.
Niedderer, K. and Townsend, K. (2014) ‘Designing Craft Research: Joining Emotion and Knowledge’, The Design journal, 17(4), pp.624–647.
Noronha, R. (2018) ‘The collaborative turn: Challenges and limits on the construction of a common plan and on autonomía in design’, Strategic Design Research Journal, 11(2), pp.125–135.
Noronha, R. and Solis, G. (2019) ‘Aprendiendo con los materiales: encuentro de diseñadoras y artesanos por medio de correspondencias’, RChD: creación y pensamiento, 4(7).
Noronha, R., Aboud, C, and Portela, R. (2020) ‘Design by means of anthropology towards participation practices: designers and craftswomen making Things in Maranhão (BR)’, In Proceedings of the 16th Participatory Design Conference 2020 - Participation(s) Otherwise – Vol. 1 (PDC ‘20). Association for Computing Machinery, New York, NY, USA, pp. 203–211.
Novelo, V. (2002) ‘Ser indio, artista y artesano en méxico’, Espiral (Guadalajara, Mexico), Espiral (México) Num.025 Vol.IX (25).
Onafuwa, D. 2018. ‘Allies and Decoloniality: A Review of the Intersectional Perspectives on Design’, In Politics, and Power Symposium’, Design and Culture, 10 (1), pp. 7-15
Rodriguez, M. C. and Alfaro, E. (2009) ARTESANÍA Y DISEÑO. Diseña enfoques.
Salazar Maestri, T. (2013). Artesanía de excelencia. Un sello para la creación nacional. Publicaciones Cultura.
Sennett, R. (2009) The craftsman. London: Penguin Books.
Schultz, T., Abdulla, D., Ansari, A., Canli, E., Keshavarz, M., Kiem, M., Martins, L. P. D. O. and Vieira De Oliveira, P. J. S. (2018) ‘Editors’ Introduction’, Design and Culture, 10 (1), pp.1–6.
Smith, L. T. (2012) Decolonizing methodologies: research and indigenous peoples. Second edition. London: Zed Books
Twigger Holroyd, A., Cassidy, T., Evans, M, Gifford, E. & Walker, S. (2015) Design for ‘domestication’: the decommercialisation of traditional crafts.The Value of Design Research, 11th European Academy of Design Conference, Paris, 22-24 April 2015.
Twigger Holroyd, A. (2018) Forging new futures: cultural significance, revitalization, and authenticity. In: S. Walker, M. Evans, T. Cassidy, J. Jung & A. Twigger Holroyd (eds) Design roots: culturally significant designs, products, and practices. London: Bloomsbury Academic, pp.25-37.
UNESCO (2005) Designer meet Artisans. A practical Guide. UNESCO, Craft Revival Trust, Artesanias de Colombia.
UNESCO - CNCA (2008) Taller A+D. Santiago:Ediciones Cultura.
Vencatachellum, I. (2005) ‘Foreword’, In UNESCO (2005). Designers meet Artisans. A practical Guide. UNESCO, Craft Revival Trust, Artesanias de Colombia.
Akama, Y., Hagen, P. and Whaanga-Schollum, D. (2019) ‘Problematizing Replicable Design to Practice Respectful, Reciprocal, and Relational Co-designing with Indigenous People’, Design and culture, 11(1), pp.59–84.
Alborán, D. (2020) Towards a Buen Vivir-centric design: Decolonising artisanal design with Mayan weavers from the highlands of Chiapas Mexico. PhD Thesis. Auckland University of Technology
Cáceres, A. and Reyes, J. (2008) Historia hecha a mano: nosotros los artesanos y las ferias de artesanía del siglo XXI. Santiago: CNCA.
Calderón, P. (2014) Problematizing ‘Social Design’. [Online]Pablocalderonsalazar.com.
Calderon, P. and Huybrechts, L. (2020) PD otherwise will be pluriversal (or it won’t be). In Proceedings of the 16th Participatory Design Conference 2020 - Participation(s) Otherwise, Vol. 1, (PDC ‘20). Association for Computing Machinery, New York, NY, USA, pp. 107–115.
Chalkho, R. (2013) Diseño y Artesanía: Debates en torno a la producción de Objetos, in: Valdés, S. ed. Diseño participativo y sustentable. Buenos Aires: Ediciones CCC.
CNCA (2008) Chile Artesanal, Patrimonio Hecho a Mano, Santiago: CNCA
CNCA (2009) Política de fomento de las artesanías 2010-2015, Valparaíso, Departamento de Estudios. Valparaíso: CNCA.
CNCA (2017a) Ideas matrices para un proyecto de ley de fomento y desarrollo del sector artesanal chileno. Santiago: CNCA.
CNCA (2017b) Política nacional de Artesania: 2017-2022. Consejo Nacional de la Cultura y las Artes. Santiago: CNCA.
Escobar, A. (2016) Autonomía y Diseño: La realización de lo comunal. Popayán: Universidad del Cauca
Escobar. A. (2017a). ‘Response: Design for/by [and from] the “global South.”’ Design Philosophy Papers, 15(1), pp.39–49.
Escobar, A. (2017b) Designs for the pluriverse: radical interdependence, autonomy, and the making of worlds. New ecologies for the twenty-first century. Durham: Duke University Press.
Escobar, A. (2018a) ‘Autonomous design and the emergent transnational critical design studies field’, Strategic Design Research Journal, 11(2), pp.139–146.
Escobar, A. (2018b). Sentipensar con la tierra: Nuevas lecturas sobre desarrollo, territorio y diferencia. Ediciones UNAULA, Medellín, Colombia.
Escobar, T. (1986) El mito del arte y el mito del pueblo: Cuestiones sobre arte popular. Asuncion: R.Peroni.
Fiss, K. (2013) ‘Hybridity, hegemony and design in a globalized economy’, Routledge. pp.45–56.
Kalantidou, E. and Fry, T. (2014) Design in the borderlands. London: Routledge.
Leitão, R. M. (2017) Culture as project: design, self-determination and identity assertion in indigenous communities. PhD Thesis. The University of Montreal.
Leitão, R. M. and Noel, L. (2022) ‘If you’re not in an existential crisis as a designer in Social Design you’re not doing it right!’ in Tsekleves, E and Noel, L (ed.) The Little Book of Designer’s Existential Crises in 2022. Lancaster: Imagination Lancaster. Lancaster University, pp.5-11.
Mignolo, W. (2007) ‘Delinking: The rhetoric of modernity, the logic of coloniality and the grammar of de-coloniality’. Cultural Studies, 21, pp.449–514.
Murray, K. (2010) ‘Exogamy in World Craft: A South-South Perspective’, The journal of modern craft, 3(2), pp.137–142.
Niedderer, K. and Townsend, K. (2014) ‘Designing Craft Research: Joining Emotion and Knowledge’, The Design journal, 17(4), pp.624–647.
Noronha, R. (2018) ‘The collaborative turn: Challenges and limits on the construction of a common plan and on autonomía in design’, Strategic Design Research Journal, 11(2), pp.125–135.
Noronha, R. and Solis, G. (2019) ‘Aprendiendo con los materiales: encuentro de diseñadoras y artesanos por medio de correspondencias’, RChD: creación y pensamiento, 4(7).
Noronha, R., Aboud, C, and Portela, R. (2020) ‘Design by means of anthropology towards participation practices: designers and craftswomen making Things in Maranhão (BR)’, In Proceedings of the 16th Participatory Design Conference 2020 - Participation(s) Otherwise – Vol. 1 (PDC ‘20). Association for Computing Machinery, New York, NY, USA, pp. 203–211.
Novelo, V. (2002) ‘Ser indio, artista y artesano en méxico’, Espiral (Guadalajara, Mexico), Espiral (México) Num.025 Vol.IX (25).
Onafuwa, D. 2018. ‘Allies and Decoloniality: A Review of the Intersectional Perspectives on Design’, In Politics, and Power Symposium’, Design and Culture, 10 (1), pp. 7-15
Rodriguez, M. C. and Alfaro, E. (2009) ARTESANÍA Y DISEÑO. Diseña enfoques.
Salazar Maestri, T. (2013). Artesanía de excelencia. Un sello para la creación nacional. Publicaciones Cultura.
Sennett, R. (2009) The craftsman. London: Penguin Books.
Schultz, T., Abdulla, D., Ansari, A., Canli, E., Keshavarz, M., Kiem, M., Martins, L. P. D. O. and Vieira De Oliveira, P. J. S. (2018) ‘Editors’ Introduction’, Design and Culture, 10 (1), pp.1–6.
Smith, L. T. (2012) Decolonizing methodologies: research and indigenous peoples. Second edition. London: Zed Books
Twigger Holroyd, A., Cassidy, T., Evans, M, Gifford, E. & Walker, S. (2015) Design for ‘domestication’: the decommercialisation of traditional crafts.The Value of Design Research, 11th European Academy of Design Conference, Paris, 22-24 April 2015.
Twigger Holroyd, A. (2018) Forging new futures: cultural significance, revitalization, and authenticity. In: S. Walker, M. Evans, T. Cassidy, J. Jung & A. Twigger Holroyd (eds) Design roots: culturally significant designs, products, and practices. London: Bloomsbury Academic, pp.25-37.
UNESCO (2005) Designer meet Artisans. A practical Guide. UNESCO, Craft Revival Trust, Artesanias de Colombia.
UNESCO - CNCA (2008) Taller A+D. Santiago:Ediciones Cultura.
Vencatachellum, I. (2005) ‘Foreword’, In UNESCO (2005). Designers meet Artisans. A practical Guide. UNESCO, Craft Revival Trust, Artesanias de Colombia.
Publicado
2023-05-15
Como Citar
Cattan Lavin, M. (2023). Diálogos dicotómicos entre Artesanía y Diseño Una perspectiva crítica. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (185). https://doi.org/10.18682/cdc.vi185.9509
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