Poética e inspiración en Diseño de Indumentaria

  • Patricia M. Doria
Keywords: poetry; inspiration; fashion; trend; clothing; project; meaning

Abstract

In this paper we try to understand and reflect about the different mechanisms by which established designers or ongoing students manage to get along these speeches: inspiration, poetry, style, identity construction and production. Design is essentially a sublime moment, an image built through an aesthetic and poetic filter that goes beyond the simple description. Poetry itself is configured as an essential element in the act of creating a fashion design; is the factor that gives the differential and distinctive framework. The original clothing object immediately transports us to something related to its essence,
and may get back to the pure appearance along the design process to become a target object. Every design is an activity that aims to give expression to a form immaterially conceived and that proceeds after its methodology. While the idea –linked to fantasy– may propose unworkable solutions due to technical, material or economical reasons, creativity remains within the limits of the problem, limits derived from analysis of the data and the related problems. Reflecting on poetics means researching on fashion design future projected at the time when conditions converge to a complex framework aesthetic, of research, of experimentation, of intuition, of empiricism, of materials, technology and art.

References

Munari, B. (2013). ¿Cómo nacen los objetos? Apuntes para una metodología proyectual. Barcelona: GG

Espartaco, C. (1993). Arte y Discurso. Buenos Aires: Gaglianone.

Raymond, M. (2010). Tendencias. Londres: Publishing Ltd.

Zatonyi , M. (1993). Diseño Análisis y Teoría. Buenos Aires: Ed. CP67.

Published
2019-10-23
How to Cite
Doria, P. M. (2019). Poética e inspiración en Diseño de Indumentaria. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (53), 71 a 77. https://doi.org/10.18682/cdc.vi53.1628

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