Introducción. Interrogantes y respuestas de la Moda en la hipermodernidad. Parte III

  • Patricia M. Doria
Keywords: fashion ; brand ; semiotics ; society ; innovation ; culture ; design ; research ; art ; history

Abstract

 In this issue of Notebooks from the Center for Design Studies, fashion is analyzed in a context of change from its multiple edges from a complex and exhaustive multidisciplinary tour. The analysis of each of the views that make up this Notebook are intrinsically dynamic and speak from questioning and transformation; the contributions that make up this volume are oriented in four axes called Looks, which cover different lines to be investigated, among others: the associations between attribute, brand and identity, visions and theoretical reflections about ethics in design and the disquisitions around social responsibility, the influence between art and fashion as a sign and symbol of time, in shaping new accounts of social changes, manifestations, deficiencies and concerns of the reality of the world.

References

Baudrillard, J. (1987). De la seducción. Buenos Aires: Teorema.

Eco, U. (2009). El vértigo de las listas. Barcelona: Lumen.

Eco, U. (1988). Signo. Barcelona: Labor.

Dorfles, G. (1975). El significado de las opciones. Barcelona: Lumen. Doria

Published
2022-01-31
How to Cite
Doria, P. M. (2022). Introducción. Interrogantes y respuestas de la Moda en la hipermodernidad. Parte III. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (150). https://doi.org/10.18682/cdc.vi150.5533

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