This publication gathers the research of authors coming from different tasks within the field of art: Music
composition, art curator and cultural management. The enunciation of a technology imprint in art during
the last years goes through their essays. By traveling different routes, this publication condenses problems
and thoughts on the discourse of the arts, especially on those formats, artists and works placed on the
experimental edges. As an introduction, this article reintroduces those key concepts given by the authors
and tries to knit a conceptual net of connections, within the frame of deep reflection and critique which
generally characterizes the artistic practice nowadays.