#ArteContemporáneo: La arquitectura del museo de arte moderno como discursividad intermediaria. Un análisis de la promesa experiencial configurada por los edificios de Centro Pompidou, Malba, Moma y Tate Modern

Abstract

This text presents the process of elaboration of the research developed in the framework of the Master of Arts Criticism and Dissemination (UNA) and focuses on the first investigations in the field, the selection of the corpus, the methodological design, the planning, and the conclusions of the field analysis developed between 2016 and 2019. The thesis concentrates on the cases of Malba (Buenos Aires), Moma (New York), Tate Modern (London) and Centre Pompidou (Paris), more specifically on their facades, esplanades and entrance halls understood as intermediary discursiveness that configure an experiential promise to the visitors, given that these spaces advance, comment, organize, suggest or inform something about what the public will experience inside the buildings. The idea of experiential promise means that, in the twenty-first century, a visit to the museum does not only mean coming into contact with works of art but also offering a multidisciplinary experience that contemporary art itself has passed on to the spaces that bring it to life.