Contrahegemonía en la enseñanza del diseño: experiencias en asignaturas de diseño y género en tres países latinoamericanos

  • Raquel Noronha
  • Griselda Flesler
  • Imaíra Portela
Keywords: Design teaching, design and gender, decoloniality, designanthropology

Abstract

Design, traditionally based on the practice of design as a means of realisation, was built on ethnocentric, patriarchal and colonial foundations and we have identified the after-effects of this model, especially in Latin American contexts, where its effects are found in societies with extreme social vulnerability, which cry out for different designs that consider diversity and otherness. 

References

Almeida, A. J. M. (2024) Gênero como modo de leitura para a história do design. In:

Almeida, A. J. M; Flesler, G.; Santos, M. C. L.; Noronha, R. Design e gênero: experiências coletivas de ensino. São Luís: EDUFMA. Capítulo 4: p. 34-61.

Attfield, J. Form/female follows function/male: feminist critiques of design. In Walker, J. (Ed.). Design History and the History of Design. Londres: Pluto, 1989 (p. 199-225).

Buckley, C. (1986) Made in Patriarchy: Toward a Feminist Analysis of Women and Design. Design Issues, Massachusetts, v. 3, n. 2, p. 3–14.
Published
2026-03-11
How to Cite
Noronha, R., Flesler, G., & Portela, I. (2026). Contrahegemonía en la enseñanza del diseño: experiencias en asignaturas de diseño y género en tres países latinoamericanos. Cuadernos Del Centro De Estudios De Diseño Y Comunicación, (287). https://doi.org/10.18682/cdc.vi287.13367